Daniel Ney
New Avenues
This work represents research from last semester and opening new possibilities in describing form. The piece is about a unique approach to combining unlike materials, wood & aluminum, the natural & the industrial. The wood combined together is a technique I used making Ukuleles in Hawaii. The imagery is informed by my time deployed to Iraq as well as maps and memories.

Ashley Smith
Encompassed
Knit Solid with Rust Print, Steel, Cast Iron
17″ x 10″ x 9″

Adriane Honerbrink
Vessell III
Inspired by the interaction between man and nature, Vessell III questions the idea of balance, weight, and strength, through decorative carving and the removal of clay. Challenging New Avenues of process for myself and bringing forward new avenues of conversation. Fired in an atmospheric kiln, the surface is created with salt and flames,
giving a worn, antique look that can never fully be predicted.

F. C. Zuke
Cartographic Vertigo
Displayed on a monitor, maps shape shift in ways that make the viewer feel dizzy or off balance.



Peyton Lawler
Finding Balance
My piece is a ceramic sculptural vessel inspired by my transition into grad school in the fall 2021 semester. This new journey into my creative professional career has gently pushed me out of my comfort zone to explore new
avenues in my work. For this piece, I used a cone 6 porcelain clay body that was first fired in a neutral firing, and again in a salt reductioniring. I also utilized underglaze and nichrome wire for the surface design. The idea was to expand my ideas about control by creating an organic form that allowed me to use its surface as a canvas. Initially the neutral firing was intended to convey the need for control, but then by introducing it into an atmospheric salt firing, I let go of that need and let the material and kiln control the piece instead.


Anna Hite
Final Hours: Composition 10-abstracted
The advent of the handheld computer (smartphones) changed the way we consume media, and as a result, news media changed as well. The contemporary age is marked by its multi-temporality – its situation in the present is flavored its repetition and its timing. Now more than ever, we exist in a present marked by our emphasis of the future, leaving us in an anxiety riddled fixation on being current that makes any new release of information outdated as soon as it hits the screen.
This piece represents the stressed experience this creates, of trying to stay current in an age of constant development, movement, and divorcement from time. The twelve pieces come from one fragmented composition of multiple news images and articles layered on top of each other, all focused around a monumental event at the time of its creation – the US Capitol Hill Insurrection.
